with a menu of photography, books, jazz, poetry, and other items occasionally

Thursday, January 28, 2021

Jazz & 2020

2020 is the first year in some time that I haven’t listed or described those jazz releases that got my attention. I was mostly looking back during 2020. Those jazz releases that I purchased during 2020 were released in previous years, such as Sonny Clark’s
Cool Struttin’ and Shirley Scott’s One for Me. I also discovered some earlier releases by the Icelandic saxophonist Sigurdur Flosason, particularly his albums Nightfall and Daybreak.

Since I need time to absorb new music and to fully appreciate the nuances in any one album, I have been giving attention to music bought during previous years, such as Sunna Gunnlaugs’ Ancestry, Andy Sheppard’s Romaria, and Trygve Seim’s Helsinki Songs. I am still trying to gain an appreciation for Anouar Brahem’s Blue Maquams, which received high praise at AllAboutJazz and AllMusic. Brahem's earlier albums, such as The Astounding Eyes of Rita and Le pas du chat noir, are more to my liking. Within the car, I have been listening to Tomasz Stanko's Dark Eyes. 

I apologize for not being more active during 2020. I have recently replaced my thirty-year-old Pioneer speakers and the Onkyo amplifier that was giving me fits. I probably should have sold my CD player and graphic equalizer and relied solely on my computer speakers, but I fell victim to consumerism and bought a new set of speakers and a new amplifier. My wife says that I am still living in the ‘60s or ‘70s and that I believe that a component stereo system is a necessity. 

Although I bought the new set of speakers online from Crutchfield, I got the Yamaha amplifier from a local merchant in the Kansas City area. Connecting the CD player and equalizer to the new amplifier presented a number of problems, such as one speaker shorting out. I took the amplifier back to the merchant, believing that the amplifier was faulty, and had it examined. At first, when the technician heard what I was connecting to the amplifier, he said, "What's an equalizer? Nobody uses that anymore," he added. Eventually, I learned that my connections were causing the problems, with me, for example, connecting the equalizer to the input for a tuner. I have since managed to hook up the CD player correctly. I have connected the equalizer, too, but haven't been using it as of yet. Trying to link new technology with older technology was difficult for me. Researching the problem online provided solutions. It just took time.

Because I don't subscribe to such things as Spotify, Amazon Music Unlimited, or YouTube Music, I am not always acquainted with new music. As a wannabe minimalist, and as someone already burdened with more than six hundred CDs, I also don't buy music as often as I used to. Nonetheless, I will try to be aware of new music during the current year. 

Wednesday, January 27, 2021

Submitting Short Fiction or Poetry to Choeofpleirn Press

As I mentioned once before, my wife and I have created a press named Choeofpleirn Press. February 28, 2021 is the deadline for submitting short fiction and poetry for our first issue of Coneflower Café. We have been getting submissions. We expect to have many more submissions as the deadline approaches. For more information and for our submission guidelines, go to our website. Consider submitting your own work if you write either poetry or short fiction.

Saturday, January 02, 2021

My Reading in 2020

Before 2020 started, I thought it might be possible to read some of the books on my bookshelves that had gone unread. I didn’t anticipate adding thirty-five more books to my account at LibraryThing, which now stands at 1,028. The bookshelves in my office are now overflowing, with some shelves containing two rows of books, one row in the back and one row in the front.

Out of those thirty-five books added to my account at LibraryThing, two of them were ones that I already own but had forgotten to catalog. Another five were gifts. All but three of the remaining twenty-eight were purchased secondhand, either from Half-Price Books, library sales, or one of the merchants who lists books at Amazon.

During the year, I read more poetry than I had in previous years. I have been more productive in my own writing and have been reading poetry at the same time. While my reading has included several modern poets, such as Elizabeth Bishop and Robert Hayden, I have also been reading the work of Ruth Stone, Sharon Olds, Dorianne Laux, Billy Collins, Tony Hoagland, Walter McDonald, Robert Wrigley, and Don Stinson, a friend from graduate school.

I exclude the books of poetry that I have read from my total for the year, largely because I find myself returning to books of poetry, and my designating something as read often means returning that book to the shelf. Books of poetry are stacked near my bed because I cannot yet move them into my home office and add them to one of the bookcases containing contemporary poetry.

During 2020, I read nineteen books, mostly nonfiction but seven novels, too. There was a reference in Maxine’s Gordon’s Sophisticated Giant to Wardell Gray and his death in 1955. Maxine Gordon adds that Bill Moody in Death of a Tenor Man “speculates about what might have happened.” That reference led to my reading all seven Bill Moody novels containing the character Evan Horne, a jazz pianist who assists the police in solving a crime in each novel.


These Bill Moody novels are suspenseful and all-consuming. I used to read them during lunch, in the bathroom, before sleeping, and I sometimes even put aside my own work in favor of reading a few more chapters. Moody wrote a couple of other novels in his lifetime. Within his novels about jazz, he attempts to accurately depict the life of a jazz musician by describing live performances and studio work. The narrator is fully acquainted with both well known and lesser known jazz musicians, some of whom I had not heard of before, such as Clifford Brown and Hank Mobley. I have tried to get my son interested in Bill Moody by giving him a copy of Looking for Chet Baker, but he hasn’t found the novel as absorbing as I did and hasn’t yet finished it. 


Maxine Gordon’s Sophisticated Giant, a memory and biography of the jazz saxophonist Dexter Gordon, is an attempt to provide, in the words of Farah Jasmine Griffin, the “historical, social, and political context” of events in Dexter Gordon’s life. Farah Jasmine Griffin wrote the Forward. Maxine Gordon devoted a large portion of her life to this book by completing her undergraduate degree and earning a graduate degree in history before she began writing the book. I wasn’t aware of Dexter Gordon’s time in prison and the unnecessarily harsh drug laws in California in the 1950s. Although Dexter admired those changes that the civil rights movement brought about in this country, he was much happier living in Europe from 1962 to 1976, for he had found an audience that truly appreciated him and his music. Well-written and insightful, Maxine Gordon's book is one of the better examinations of jazz in this country.


My reading Bryant Simon’s The Hamlet Fire during the previous year led to my reading two books he mentioned--Ellen Ruppel Shell’s Cheap: The High Cost of Discount Culture and Ann Vileisis’ Kitchen Literacy: How We lost Knowledge of Where Food Comes From and Why We Need to Get It Back, which reveals the role that advertising and packaging has had in making processed food more appealing during the 20th century.



My interest in the American West, particularly during the 19th century, resulted in my reading Terry Mort’s Thieves Road, Mari Sandoz’ Cheyenne Autumn, and Paul Vandevelder’s Savages & Scoundrels: The Untold Story of America’s Road to Empire Through Indian Territory. Vandevelder devotes a lot of attention to the Treaty at Fort Laramie in 1851, which played a role a few years later in Lt. Grattan’s contribution to the first Sioux War. Vandevelder also reveals the problem that the writers of the Constitution had made in not addressing this country’s relationship with the Native people and how that lapse contributed to so many problems in this country, beginning with President Jefferson’s desire to remove the Native people from those states that made up this country at that point.

Another interest of mine is weather. As a senior in high school and a military dependent who attended high school at an air force base in England, I participated in the work study program and worked at the base weather station during my last semester. Working in the afternoons seemed like a better option than sitting in classes in which (at that time) I had no interest. To this day, weather continues to fascinate me. This fascination is reflected in my reading, too, because I often turn to books containing nonfiction accounts of severe storms. This year my reading consisted of Ten Hours Until Dawn and 58 Degrees North


Within the nonfiction I read, I often turn to memoirs. Paul Zimmer, who is known primarily as a poet, describes events from his life and his retirement in After the Fire. He participated in the nuclear bomb tests in Nevada during the 1950s, and that experience contributed to his decision to become a poet. William Kittredge describes his love for where he has lived in Oregon and Montana in Who Owns the West, a collection of essays. It is difficult to understand his need to drink, however. I had forgotten that much of Owning It All is about his drinking. Bill McKibben describes his efforts to stop the Keystone XL pipeline and to encourage universities and businesses to pull their investments from American oil companies in Oil and Honey.

In my teaching, I often have my students read essays about the risks associated with plastics, food dyes, and chemicals in cosmetics. Some students come away from this reading with the realization that our government exists to serve the corporations. It is up to the individual to educate himself/herself and to make conscious decisions about what to eat and what to purchase. McKay Jenkins in ContamiNation: My Quest to Survive in a Toxic World addresses the chemicals that we risk exposing ourselves to in his personal account of how he went about learning what threatens his health, the health of his wife, and the health of his children. It is a book that should be read and reread.

I am hoping to buy fewer books during 2021. I know I said that before. No one has yet enrolled in my classes for Spring 2021, and I may not be teaching this coming semester. Out of necessity, I will probably be reading more of my backlog--that is, those books on my bookshelves that I have not yet read. My wife and I will also be devoting attention to the press that we have created. Our first magazine will be coming out in March, 2021.